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Posted by on January 15, 2020


The MIDI version is richly informative. There are long passages where there’s almost no rhythmic correspondence between the notes as written (and as “performed” in the MIDI) and the way that humans perform them. People are playing the same notes in the same order, but have pretty much thrown Bach’s written rhythms out the window. But the MIDI isn’t a very satisfying listening experience.

This opens the doors for new subgenres, new communities, new sounds, and new movements to find their way around the world into the ears of new subscribers and listeners. It is time to shed our old assumptions of how things work and start taking advantage of how you work.

If you need it for when you finally get around to starting that ’90s throwback stoner metal project, it’s fine to save it for a rainy day. But if there’s nothing on the horizon where it would be useful it’s probably not doing you much good.

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In his book The Meaning of Human Existence, Pulitzer Prize-winning biologist Edward O. Wilson argues that “healthy people believe intuitively that they can hear every almost every sound. However… we walk through nature like a deaf person on the streets of New York, sensing only a few vibrations, able to interpret almost nothing.” So I hope your cat or dog is a music fan, because they are far more likely to appreciate the crisp top-end preserved in your favorite lossless audio format than you are.

Soundproofing is important because in order to get a polished recording, you need to get clean takes of your instrument and vocal performances, and remove any chance of unwanted noise making its way into the recording of these performances.

Here’s the thing about the bariolage section, then: Bach goes ahead and uses all the wrong notes. They’re all surprising, but the most surprising one is E♭, the most dissonant possible note in the key of D minor. That would be a bold choice even now. In Bach’s more conservative context, it was unheard of. But the bariolage doesn’t sound wrong at all. Bach carefully organizes all those chromatic notes so they all sound perfectly logical and inevitable. They sound richly strange, but certainly not wrong.

With overwhelmingly positive results, we’re happy to share a few testimonials of Soundfly’s Orchestration For Strings course directly from our students.

We better go back to the source of the loop for some context — Lauren Hill’s “Ex-Factor” — and holy rabbit holes, did they make it their own! First, they took the sample and pitch-shifted it up a whole step from G♭ to A♭ (thought it sounded kind of chipmunk-esque), then they chopped it up and taped it back together out of order. But what really transforms the music of it is what they didn’t take. So we were right that the singers are singing in A♭ major note logic, but they didn’t sample any A♭ major chords — and how can you have a song in A♭ that doesn’t have any A♭ chords? Also, they didn’t sample any of the bass notes that made some of the singer’s triads into different tetrads.

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All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to help you achieve them. 

It will likely take a few episodes, several hair-pulling late nights, and a lot of tears before you get a winning structure down so my advice is to plan as much as you can before hitting record. Which brings us into the next section.

“I have taken three courses with Soundfly and have been very impressed by the quality of the course and more importantly, the quality of the feedback. The deep feedback and analysis I get from my mentors has been wonderful. I do not ever recall getting this level of feedback nor support in previous online courses (or live courses for that matter.)”

Let’s say that we ran two of these sine waves simultaneously. We’d find that the total amplitude would be the sum of the two identical sine waves. So far, so good. But what if we were to “flip” the waveform, so that what was a peak is now a trough, and vice versa? What we get is… silence.

One chart taught me love / one chart taught me patience / one chart taught me pain / this is amazing / thank u, next / I’m so freaking grateful for these pop-song specs.