Posted by dance on January 15, 2020
Here are a handful of interesting ways that animals communicate to one another using sound signatures. Humans aren’t the only species with something to say!
When I first discovered there was such a thing as “Music For Dogs,” I was kind of shocked I hadn’t come across it sooner. I mean, there is now music and playlists to accompany everything, so of course there’d be one for our favorite four-legged fur-balls (sorry cat lovers). Well, Mr. Puppy was in for a treat because over the next week I’d go on to try an array of made-for-dogs style playlists.
For musicians looking to integrate sophisticated retail capabilities with their sites, Metablocks is a good option. Through their widgets, you can sell music, accept email addresses, and even integrate Spotify’s Pre-Save campaigns. They’re able to link with hundreds of music retailers, and offer analytics in real-time about who’s clicking, when, and why.
Grants for the arts
Try to be creative with your promotions. The perfect solution or combination of marketing strategies to get fans out to a show doesn’t exist, so don’t be afraid to try out innovative ideas, even if they might fail. You’ll learn from what goes wrong and increase your understanding of what it takes to put on a successful show in your music market.
Join us as we recap a year of incredible online learning with our run-down of the best Soundfly student works of 2018! Want in? Mainstage starts next week.
New wave and post-punk era bassists did a lot of single-note chugging on root notes of chords. No offense to them; it’s what the music called for. As a consequence, bass players in those genres, like Peter Hook, Adam Clayton, and John Taylor, tend to be pretty underrated. But those minimalist bass parts actually did allow room for some subtle fill-ins to really stick out.
“Nonstop”: Talk about restraint, this one only has four notes: just F#, A, D, and then D♭ shows up at 1:26 sounding like a ghost. There might even be a hint of an F# major chord sometimes, but that’s probably just the harmonic overtones of the synth-patch poking through… or a ghost.
Explore Soundfly’s wide array of free online courses and expand your musical skills over your lunch break! Here are just a few free courses you can choose from: How to Create a Killer Musician Website, Theory for Bedroom Producers, Touring on a Shoestring, and How to Get All the Royalties You Never Knew Existed.
List of 90s hip hop artists
Jack White has always understood the importance of a strong color scheme. When The White Stripes were just starting out, Bobcat Records wanted to put out their first record but Jack White turned them down because they insisted on putting a neon green logo on the spine of their record. The White Stripes only used red, black, and white. This reflected their simple, but always effective, approach to rock music.
There are some slightly more expensive pedals built by Devi Ever FX like the Soda Meiser, the self-explanatory Shoegazer (used by Ringo Deathstarr) or the Rocket fuzz. They’ve got nearly endless sustain, can sound chaotic and super duper fuzzy. But Devi pedals are also pretty unpredictable, which can be fun but sometimes you have to fight with some disturbing frequencies that show up to the party. That’s what you get with analog pedals though — it’s the true experience!
I have to believe that what my dog finds most relaxing in terms of calming his anxiety is not necessarily music that he has never heard before, but the sounds that he’s used to hearing when things are all well and good inside the home and he’s getting bum scratches and dental chew treats.
“Bach, in his Ciaccona for solo violin, transforms the dance into an extended soliloquy of tragic character. It sounds entirely unsuitable for a wild wedding, yet the triple rhythm of the original dance is implicit throughout, as is the pattern of a repeating chord progression.”
I had already made an instrumental track last month, so I wanted to do something a little different this time around. With Kim’s vocals used as a garnish, I was starting to hear this as a vocally-driven track. I carved out sixteen bars that a rapper could flow over and sent it out to a few friends to see if they might be interested. But after a week of back and forth, the schedules weren’t lining up to get this track done in time. So, as is so often the case in making music, I had to adapt.
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