Posted by dance on January 14, 2020
The key to editing is storytelling. Does this story make sense? Would it flow better to have certain parts shifted around? Does the tangent the guest went off on ever come back around to the theme? You would edit a written piece that gets published, just as I am doing as I write this. The same needs to be done for an audio piece.
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We’re going to go with the second route today, but everyone’s workflow is different so feel free to experiment. If you’re looking to get a bit more out of this versatile DAW — how to compose, record, edit, mix, add effects, and develop shortcuts and personalized methods in the process — definitely check out Soundfly’s mentored online course, Intro to Making Music in Logic Pro X. Otherwise, let’s get started!
Speaking of doubling, here’s a great example of bass and vocals finding unison. Carol Kaye was a member of “the Wrecking Crew,” the famous group of LA-based studio musicians who played on numerous hit recordings throughout the ’60s and ’70s. Their cumulative work on several Beach Boys hits, including the legendary Pet Sounds album, is an important chapter in rock history.
I would describe Capsule as sort of a Japanease version of France’s Justice. Producer Yasutaka Nakata provides the hard-hitting techno beats and Toshiko Koshijima sings those catchy, auto-tuned vocals. Their music is often licensed by Japanese TV shows so there is a chance that you’ve heard some of their songs as themes floating around. Plus, they released their fifteenth album (!) Wave Runner in 2015, so they’ve been on the scene for a minute. While their influences are varied, they use bossa beats, British acid house bass lines, and a variety of other notable source styles, but it would be difficult to describe their music as anything but simply their own.
Beginning with lessons at Gisimba Memorial Centre, Turi Kumwe has fully constructed a music studio in the former orphanage and is currently incubating a growing community record label. Each summer, up to 300 children participate in a fully subsidized arts camp led by local Rwandan and international artist educators, and the studio is open year-round for community use.
If you want your music to touch your audience’s sense of nostalgia, you’ll need to know who your audience is, what they grew up on, and what kinds of sounds bring them comfort and joy. Huh… I guess it isn’t so far off from what Hans Zimmer was talking about after all!
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But that’s because so many of the composers listed are relatively obscure Italian artists we don’t tend to talk about much. Composers who have created extraordinarily beautiful music and contributed positively to Italy’s vast and vibrant history, yet are more or less forgotten today. So, since it’s Friday, we thought it would be fun to explore a bit about each of the composers we’ve been introduced to via this game.
Why? Often, a lack of empathy for the audiences that support us or the venues that host us is partly to blame. If you’re enthusiastically writing venues in your city but never getting responses, don’t get upset about it — just make an effort to think about the reasons why this could be the case. Are you targeting venues too large and established? Are your recorded demos not good enough to showcase your talent and sound, or do you not even have demos to begin with? (If so, you should rectify that.) Are you sure you’re not making any avoidable spelling, grammar, or colloquial linguistic errors in your booking emails?
When it comes to music “now,” it all depends on who and what we’re talking about. The stuff that gets advertised on harshly illuminated screens down on L Train platforms? The bands involved in what that Pitchfork describes as “the most important stories in music?” Spotify Playlists for the gym? The Bang On a Can Allstars? Generally, I mistrust these things, because I don’t see them making any attempts to use music’s great power to snap people out of the general stupor of malaise that seems to be a symptom of living in our times.
Course: Headliners Club
I don’t need to tell you that podcasting has blown up again and with heavy-hitting content like This American Life, Serial, and Mark Maron’s WTF, to name a few, it’s easy to see why. Content is better than ever. But with an influx of great content and more listeners also comes a lot of crap and poorly produced podcasts in a saturated market.